ISFAHAN COLLECTION
ISFAHAN COLLECTION
Sepahan is a city where art rises not from the earth, but from within the human spirit. For centuries, Isfahan has been more than a place — it has been a birthplace of genius and inspiration. Here, the engraver, the architect, the calligrapher, the tile-maker, and the musician do not stand apart; they are continuations of a single cultural voice that lives from workshops to domes.
The influence of Isfahan is not confined to its geography. From metalwork and carpets to architecture and ornament, the city’s heritage lives on in museums, homes, and cities across the world. Sepahan is not merely built — it is lived. In this city, art is not an occupation, but a way of being.
The design of this timepiece reflects that essence. The golden dial recalls the glow of its domes and sunlit stone, while the engraved depths evoke a history shaped by human hands and vision. This watch is made for those who know Isfahan not only by sight, but by soul — a city beloved for its art, architecture, music, and enduring culture.
$2,500
This watch is made for those
who know Isfahan not only by sight,
but by soul —
a city beloved for its art,
architecture, music,
and enduring culture.
The Chahar Bagh of Isfahan reflects the Persian understanding of life: deliberate symmetry, axial design, and the presence of water as the spine of existence.
Isfahan
Collection
In the heart of Iran’s central plateau, where the Zagros Mountains rise like walls of memory and time, the Zayandeh-Rood was born — a river that carried not only water, but life, civilization, and meaning across an arid land. Along its banks, a city emerged that would be known first as “Sepahan” and later as “Isfahan”: a city whose story is woven not into a single dynasty or century, but into successive layers of culture, artistry, and thought.
Isfahan is a place where art is not a product of necessity, but a language of living. Here, metal comes to life under the hands of the master engraver, transformed into a lasting memory; wood, in the art of Persian interlacing, becomes a geometry both alive and meticulous; earth and fire, through tilework, bring the sky down to earth; and the Persian carpet is not merely a floor covering but a thousand-year narrative of color, symbol, and patience.
At the city’s heart stands Naqsh-e Jahan Square, a stage where history and beauty converge — a single frame reflecting architecture, power, and spirituality. On its eastern edge rests the Sheikh Lotfollah Mosque, minaret-less and serene, like a luminous secret: a dome which, at sunrise, reveals a hidden peacock in the depths of its tiles — a peacock woven of light, mathematics, and imagination.
Beyond, Chaharbagh Avenue stretches like an extension of the Persian garden, gathering in its shade the scent of plane trees, the music of songbirds, and the quiet nobility of water. Even when the Zayandeh-Rood runs silent, its presence flows invisibly, like a hidden vein, through the mind and soul of the city.
Isfahan is not merely a place; it is the embodiment of humanity’s bond with beauty, and the continuity of a sensibility revealed through matter and meaning over centuries. The “Isfahan Collection” is born from this very essence: not an imitation of the past, but a contemporary homage to roots that remain alive. Each timepiece in this collection reflects tile and dome, river and garden, wood and metal — fragments of a memory that gives time its meaning rather than merely measuring it.
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